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What Should You Actually Price Your Book At?

Two royalty thresholds do most of the deciding. Here's where they sit and how to price around them.

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What actually drives the number

The 70% bandKindle pays 70% between $2.99 and $9.99, and 35% outside it. That band decides most ebook pricing on its own.
Print is cost-drivenPaperback pricing starts from print cost, not preference. Page count sets your floor.
Genre expectationReaders have a price in mind before they see yours. Being far outside it reads as a signal, not a bargain.
Length matters less than you thinkReaders price on perceived value and genre, not word count.
$0.99 is a tactic, not a priceIt works for a launch or a series opener. As a permanent price it caps your income and your perceived quality.
First in series is differentA loss-leader only makes sense if there's a book two to sell.

The short answer

For most ebooks: $3.99–$6.99. For most paperbacks: $12.99–$18.99, depending on page count. If you want one number to start from and adjust, ebook $4.99 is the least-wrong default in most non-fiction and genre fiction categories.

Why the royalty band decides it

Kindle pays a 70% royalty on ebooks priced between $2.99 and $9.99, and 35% outside that range. The consequence is stark: a book at $2.99 earns roughly $2.09, while the same book at $1.99 earns about $0.70. You have to sell three copies at $1.99 to match one at $2.99. Below $2.99 you are not competing on price so much as donating margin.

The same cliff exists at the top. A $9.99 book earns about $6.99; at $10.99 the royalty drops to 35% and you earn about $3.85 — less money from a higher price. Unless your book is genuinely a reference work with a professional buyer, $9.99 is a ceiling rather than a milestone.

Print pricing works backwards

Paperbacks start from print cost, which is driven by page count. Print-on-demand takes its cut first, so a 300-page paperback has a hard floor beneath which you simply lose money. Work out the print cost, add the margin you want, then check the result against what comparable books in your category charge. If those two numbers are far apart, the problem is usually the page count or the trim size, not your ambition.

The $0.99 trap. It's a legitimate launch tactic and a legitimate price for book one of a series. It is not a permanent price for a standalone book. At 35% royalty you earn about 35 cents a copy, and — more damaging — readers use price as a quality signal. A permanently 99-cent standalone reads as a book nobody valued, including its author.

Check the shelf you're actually on

Before settling, look at the ten books that would sit beside yours: same category, similar length, published in the last two years. Not the bestsellers — the ordinary working books. That range is what your reader has been trained to expect. You can sit at the top of it with a strong cover and good reviews. Sitting far above it without those is how books stop selling.

Price is a lever, not a decision

Nothing here is permanent. Most authors test a price for 30–60 days, watch conversion rather than raw sales, and adjust once. What matters far more than the starting number is that your cover and description carry the price you've chosen — a $6.99 price with a $0.99 cover converts badly at any number.

If you'd rather see the whole picture — what publishing costs, what you'd earn per copy, and where you'd break even — the cost estimator lays it out in about thirty seconds, and marketing is where the price actually gets tested.

What it costs & what's included

Publishing and pricing setup are included from Basic Publishing at $299; full launch and marketing is $1,299.
Pricing can be changed at any time — most authors test for 30–60 days before settling.
Price positioning against real comparable titles
Royalty modelling across formats
Launch pricing and the step up afterwards
Category and keyword setup that supports the price

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